I have a Canon, so buying any native mounted lenses (EF) will not give me the manual controls on the lenses, no matter what camera I may use in the future. That’s a feature that Rokinon basically owns the market on, for budget-minded folks at least. So now you have a compact, lightweight cinema prime, focus and iris gears with smooth, click-less manual operation. The Canon 14 mm cine prime we bought on what felt like a shady eBay deal…but it all worked out. Josh, for the most part, yes. Going with a longer flange depth such as PL mount would help future proof your setup. I would perhaps consider a matte box that attaches directly to the rails and then using a bellows or ‘nuns nickers’ to seal the gap between the two. Individually, it would have cost me $2900-$3000 after taxes. The Rokinon Cine (and Cine DS) use plastic cam followers which can wear out or lose their shape pretty quickly compared to stainless steel or more exotic resins of higher-end cinema lenses. Being able to use my existing EF lenses is fine for now – but was always a temporary thing; I’ll be getting real cine lenses within the next 6 months. The 50 sounds more flexible so I think I’ll go for that. *In addition to the existing 12mm there’s a new 12mm f/2.8 35mm Full Frame lens that was announced recently that I intentionally left out of this chart because the specs aren’t certain yet and Rokinon hasn’t confirmed that this new 12mm will make it’s way to their Cine line of lenses. What are the issues with this lens? i’ll be using adapted lenses to make my lenses future proof, i have plan to go Nikon D type lenses (Ai, Ai-s, AF-D) currently i plan to buy nikkor 20mm 2.8d, 50 1.8d, 85 1.8d and a ZOOM lens with manual aperture. I have a BMPCC and would like a native mounted lens. Samyang has 5e new line of VDSLR. My Canon EF BMPCC-specific SpeedBooster has a .58x crop, so instead of the normal 3x crop of my BMPCC if I were to use m43 lenses, I can use my Canon EF (and slightly modified EF-S) lenses, and wind up at about 1.75x crop. In this post we’ll take a look at the new DS line of lenses from Rokinon and how they’ll work with a range of different cameras. However, the regular cine version of the 16 is available as well as the 8mm, and 10mm. The cine version of Rokinon's 35mm lens features industry-standard gearing for the focus and aperture ring, and the aperture ring has been de-clicked for smooth iris pulls. While Zeiss does offer a 35mm and 85mm CP.2, they don’t offer 14mm. Thank you for your quick reply. You’re using a time-tested format that has worked for every cinematographer except for James Neihouse. Just like car manufactures, Samyang offers a different brand depending on what kind of budget you’re working with. If you are familiar with the Samyang lenses, Rokinon cine glass and Xeen are the video versions of them. So just about all of the Rokinon Cine Primes will work fine on a Red Dragon at full 6K. The focus and iris gear positions have been moved along the axis in order to maintain a consistent position from lens to lens making swapping a breeze when using a follow focus or motors. I think it would help people if they kept these things in mind when buying lens adapters and/or speedboosters for the BMPCC. The one spec we would have liked to see shared is their overall length. The 12mm is also faster than the 14mm which is very convenient. So just to double check. I also wanted a sigma 18-35 but problem is the focusing method. Great writeup. It was nice having a wide, normal and telephoto lens to choose from. Find answers in product info, Q&As, reviews There was a problem completing your request. or warning of try it if you wanna test your luck… that really bugs me , But, I’ve also noticed that this kind of complaint only comes from the 24mm f1.4 user but none of the 24mm t1.5 user. Eric, your best bet will be to use a matte box with high quality ND filters. The ZF.2 50mm f/1.4 is a bit of a dog compared to the new Rokinon 50mm. Every time I pan the footage looks very jittery and quite unpleasing. Finally, the Speedbooster, although very high quality, still does add that extra glass in front of the lens, which some claim to be detrimental to the original optics. They also do not offer a 14mm or 85mm. The Zeiss ZF.2 and ZE (same glass) line of lenses have quite a range of quality. Hello Matthew, thank you for such a great article about these lens series! Back to the Rokinons. Cine lenses usually appear a short time later. The 50mm would be more useful in most situations, but you may have to get pretty close to capture just a talking head instead of a whole bust. 4k production camera from BM has asp-c sensor not 4/3. Rokinon Reveals Two New Xeen Primes. I’ve noticed that there are lots of complaint about the out of focus of the entire left side of image at 24mm f1.4 , and a lot of warnings about not buying it before you make it certain with the dealer that you could return it or replace it if the left side focus problem catches you unfortunatelly. They look great, feel great and are tough but not heavy. • Metabones Nikon F/G Lens to Sony NEX Speed Booster. I don’t know Rokinon’s formula or tolerance for this color matching, but I can say that it has improved when comparing Cine DS lenses to the regular Cine lenses. Designed to deliver outstanding resolution and image quality, the XEEN CF cine primes are the first full-frame cinema lenses to incorporate carbon fibre (lighter and stronger than metal) into the lens barrel. Hi Matt, I find the Samyangs distort verticals in frame a lot, even the 50mm – maybe even the 85mm. It’s a tough decision to make as both routes have their pros and cons. Weather sealing in photography lenses is becoming quite advanced. Not so much in the world of cinema optics. Canon EF Mount; T1.5 to T22 Exposure Range; Covers Full-Frame Sensors; Includes. You’re absolutely right about introducing potential errors by using an adapter. Buy ROKINON CINE DS Full Cinema Lens Kit - 50mm + 35mm + 85mm + 24mm + 14mm, Dual Focusing Scale, Color Matched, Unified Gear Position, for Canon EF plus Deluxe Accessory Bundle at Amazon UK. The 14mm is nice, but it’s larger and bulkier compared to the 12mm. I would use the 85mm for interview shots where I wanted to put some distance between the camera and the subject – but you’re right, sometimes that distance can be a hinderance if you’re in a tight space. 1) All of the gears are unified among all Rokinon Cine DS lenses. I myself went on to buy the 50mm Rokinon in the EF mount because I assumed Matt didn’t like the MFT version due to its lack of “future proofness.” I don’t regret my decision, as I’m sure I’ll be getting a larger sensor camera than my BMPCC down the line (but I do love my BMPCC :)). Hello and thank you for the helpful article. Sale. How better is the slr magic cine primes when compared to a speedboosted rokinon or the meike cine itself? Fazit: – The Rokinons are pricier but wins in the long focal of 170mm – The Sigma, Tokina, Metabones are faster and not too bulkier (2 vs 6 lenses) Other lenses and prices: Steve, I would probably go with the 50mm. Next. You can expect up to 300 degrees of rotation on some of the focal lengths. I normally use an 8 stop Tiffen Variable ND… but that won’t work on the wide primes. My next cine cam will definitely be APS-C or larger, I think, unless they pull a very interesting BMPCC successor rabbit out of their hat at NAB. Good bargain? Would these Rokinon’s be beneficial in terms of sharpness, color, contrast vs the Nikon’s? I’ve even had a chance to spe… I have considered replacing them with either a set of Rokinons or buying a set of leica R lenses and have them modded. Thanks. How are these different from the Rokinon Cine ds? Vinten 100 Tripod Review; Wifeng WF717 Tripod. Would you recommend the 50mm or 85mm Rokinon Cine prime E-Mount for documentary / talking head interview type work using a Sony NEX VG20 which has an APS-C sensor. Currently, Rokinon offers an 8mm, 14mm, 16mm, 24mm, 35mm, and an 85mm. The Rokinon has a sort of overly sharp, clinical look to me, although it too is very nice for the money, and can be softened in post. I wanted to keep the small, low-profile, quality of the BMPCC, which is why I choose to use the internal batteries, rather than one of those other external battery solutions which have you adding on boxes of batteries to the outside of the little BMPCC. The 14mm is a bit faster than that of the Xeen at T2.9, but the 35mm and 85mm are the same as Xeen at T1.5. How do these compare with pro level Cine PL lenses? As for their robustness and ability to hold up to the elements, there are certainly higher quality options. Here’s one more question, if you have any experience of this situation: My latest idea for the set is to use the Sigma 18-35 (which I already own), and then the Rokinon 50 and 85 primes to cover the focal range. My research indicates that these are the same optics as the still lenses. The 14mm is the shortest, out of the set we reviewed, at 4.5 inches. Kind of defeats the purpose of the “pocket” aspect of the BMPCC, although I understand it’s really the image quality that people are after when they buy the BMPCC. Samyang/Rokinon praises the coma result of the lens (and the 12mm f/2 is a very strong performer here), but unfortunately the time of year that I had the lens for review was a very poor one for shooting the night sky. When it comes to the Rokinon Cine Primes, just about any mount can be easily and cheaply adapted to Micro 4/3. Let’s start with the … llensesc.wordpress.com. And does the samyang or rokinon 35mm the focus ring is same direction to nikkor lenses ie: Nikon 85mm f/1.4 G? That said, 35mm Full-Frame lenses are the best way to future proof your setup as the sensor sizes are in fact getting bigger and better. I was curious, if you did go the route of purchasing the MFT mount DS lenses are there any attachments or adapters that you would be able to purchase to increase the field of view? when i contact with different Authorized seller, they informed Rokinon has recently requested Samyang, the original manufacturer of the lenses to produce glass in a difference spec which is what you see in the DS line currently, which those specs samyang doesnt hold, What is tha fact, coz in our country Rokinon lens is not available. If you’re shooting strictly Super 35 or smaller formats you have almost the entire range of Rokinon Cine Primes at your disposal including the 8mm, 10mm, 12mm, 14mm, 16mm, 24mm, 35mm, 50mm, and 85mm. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. The sound is loudest at the mount end. Joining their separate Digital Photo and Cine DS families of prime lenses, the more expensive Cine DS Rokinon 20mm has a T-stop iris measurement of T1.9 while the Digital Photo 20mm has the almost exact same aperture at f/1.8. Deciding on which lenses to go with really depends on what your shooting and how you’re shooting it. Enjoy! BMPCC4k Metabones Speedbooster 0.64 XL WB 4000k 400 ISO Prores 422HQ 1/4 BPM Firecrest ND. Why would you not recommend buying the Rokinon lenses with the MFT mount? This is obviously WAY more useful than a simple mount adapter, and should explain both things: why is a SpeedBooster more expensive than adapters, and why are people recommending I get one – especially for the BMPCC – which uses a m43 mount, but the sensor is actually smaller than a regular m43 sensor (hence the 3x crop instead of a normal 2x crop on m43 cameras). The number of Super 35 cinema camera options currently available is simply staggering. I own a Sony FS5 and consider buying the rokinon lenses. I know these lenses were made to work with digital sensors so I wonder how they can work with real 35mm film stock. It offers a decent catalog of affordable prime lenses for the system, and unlike its earlier efforts, the lenses support autofocus. Thanks!!! If you feel like you’re missing something by not having the field of view associated with a 35mm FF sensor, you can reach for a speed booster from someone like Metabones to achieve a similar field of view and depth of field as a 35mm FF lens/camera setup. Oh, and one more question… Would a modern sharp lense compensate for an older softer sensor? Slr magic micro primes or Rokinon cine day? Would you recommend trading in my Sigma zoom for a Rokinon 16mm, 35mm, and 85mm primes or just adding a 85mm to the Sigma 18-35 that I have to cover more range? Pristine condition. Good question. Choose from eight different focal lengths, from 14mm up to 135mm. Check out Rokinon Full Cine 5 Lens Kit - 35mm + 24mm + 14mm + 85mm + 8mm for Canon EF/Black Magic + Protective Photography Hard Case + Accessory Kit reviews, ratings, features, … First up, and the subject of this review, is a standard prime: the Rokinon / Samyang AF 45mm f/1.8 FE. They have an internal focus design with multi-coating for color consistency. Originally, these were available as a simple manual focus photo lens. This offered a decent set of prime lenses but there was no 50mm in the set at that time. Yup, they are all part of the same company. Jittery footage sounds like a camera/rig issue. Just wanted some clarification about the comment regarding the zeiss zf.2 50mm 1.4 being “a bit of dog” ? This tolerance can usually be tightened up. This prime lens is definitely worth a consideration for your glass collection. However, the 14mm does cover a 35mm FF camera so you do still have an ultra wide angle option. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. Sorry, your blog cannot share posts by email. If not that, then perhaps Sony, Panasonic, or maybe Canon (not holding my breath) will give me the 13+ stop DR, 4K/60p I want for a price I can afford. Because of their image quality and low cost, many people adapted them for cinema use. I rarely go wider but I do go longer. The three lenses we tested are the 14mm T3.1, 35mm T1.5 and 85mm T1.5. This way, you can pair them with a simple Canon EF – Micro 4/3 adapter and achieve the same results, but still have the option to use them on a Canon EF mount camera at any point. While Xeen is related to both Rokinon and Samyang, let’s not get these lenses confused. Zunow SWV-E11 11-16mm E-Mount … Please try your search again later. While you’ll still find Samyang, Bower, Vivitar, and others in the US they are all essentially the same lens. Rokinon will phase out the middle class Cine line (non-DS) in favor of the new Cine-DS over the course of 2015. The 50mm f.1.4 Rokinon for DSLRs looked good indeed in your 50mm lens comparison feature, but that size and weight of prime lens is not something I’m at all keen to carry about and have to attach by means of an adapter. I use the equipment for videography, not really cinematography like for projecting in theaters, it’s more of an internet and TV job. How do the Rokinon primes compare to the Sigma Art lenses? In our search for affordable cine lens options to equip the new Sony FS7 II, we got our hands on a set of cine primes from Xeen by Rokinon. Hi Matthew, Unfortunately this is the case. Post was not sent - check your email addresses! I would recommend a zoom lens if you’re only going to use one single lens. Thanks for your help. I don’t think purchasing all at once would make much of a difference. Rokinon 50mm f/1.4 Cine Version By the way, if you’ve got another $200, you can get the Cine version of this lens for $599 , with a geared focus ring and a de-clicked, geared aperture ring. Enthusiast, Indie and Corporate filmmakers. Thank you. I am planning on using the lenses on Nikon mounted 35mm film camera that is Standard 35 but I also wonder will these lenses cover 2 perf as well. Additionally, on some focal lengths, the cam slot itself can have weak points that will increase the amount of play in the focus movement. Check out my in-depth review, covering the features, optics and price of these three models. Hi, so far it looks like I’m going to be purchasing a Rokinon 12mm mft cine lens over the 14mm mft cine lens based on a earlier comment that you answered, yes it was very helpful. Find helpful customer reviews and review ratings for Rokinon Cine DS DS24M-N 24mm T1.5 ED AS IF UMC Full Frame Cine Wide Angle Lens for Nikon at Amazon.com. The South-Korean lens manufacturer Samyang is mostly known for affordable fully manual prime lenses. What’s your opinion? I was wondering the same thing Harlan. The Leica R primes would provide beautiful images on a D800 as well as a Sony F3, FS100. 24mm is a great focal length in Super 35 format. However, Nikon’s newest crop of glass is very nice. In this post we’ll take a look at the new DS line of lenses from Rokinon and how they’ll work with a range of different cameras. The difference would be minimal. I just picked up a GH4 + Sigma 18-35 w/ Metabones Speedbooster which seems to be a really nice combo and much more cinematic look than the native Panasonic lenses which seem to clinical and oversharp. PS. It also boasts, as all Rokinon Cine Lens do, smooth declicked aperture and focusing, plus a sawtooth ring for using a follow focus system. Chris Monlux Videomaker's Multimedia Editor. If you plan to use these lenses on a Micro 4/3 mount camera, go with the Nikon F or Canon EF mount and use an adapter. I am thinking also in the near future to upgrade my camera to either a used Sony PMW F3 or Sony FS100 cannot make up my mind which one of the two yet. Can you for instance, use a speed booster and attach Nikon mount Rokinon primes to a Black Magic 4k Production Camera that has the EF mount? I own a GH4 and I am interested in buying two of these lenses, and although I am a MFT user now, there is something about what you said – to buy the lenses in a EF format and adapt them on my MFT if needed, so I don’t limit myself to only MFT… My question is – if I buy the lens in an EF mount and I buy the Metabones EF to MFT Speedbooster – does that enhance the lens in terms of it’s speed and crop factor too? This doesn’t make the SLR Magic lenses better at all, just heavier. There are several options for the Speed Booster: • Metabones Canon EF Lens to Sony NEX Speed Booster Notice in the table above that every single Rokinon Cine Prime is available in a native Micro 4/3 mount. But these options are a bit more professional. But beyond that observation, any thoughts as to how well this hypothetical set would match? So coverage isn’t too much of an issue there. Thanks for the detailed post! Some of the Samyang lenses cost less (for the same focal length). They also cover a full-frame sensor and offer a Sony E-Mount option as well. Samyang (Rokinon) Cine Prime Lenses; Sonnet QIO Review. A Sony Alpha to E mount is pretty easy to find, especially the units directly from Sony which are probably going to offer the most reliable flange depth. Hear from you soon. We shot a few different scenes, including a brightly colored wall mural from a few different angles going back and forth from 35mm to 85mm. What exactly improves the color matching? If you already have these lenses in a Canon EF mount or Nikon F mount, an adapter can still be used to attach them to a Sony E Mount. Their adapter is as good as Metabones for 1/3rd the cost. For me, the SpeedBooster is all about regaining lost viewing angles and aperture than anything else. I’m not sure of the specifics. The Xeen cine primes come in a wide array of focal lengths, with a maximum aperture range from T1.5 up to T3.1. In most situations, I don’t recommend replacing a non-DS with a newer DS lens. However, at the price point, it’s a small price to pay. When shaken or rotated between vertical/horizontal, it sounds like small bearings are rolling from one side to another. There are several other focal lengths, and even variations of some focal lengths, designed for different formats and camera mounts. There are dozens of different Leica R primes to choose from. I’m highly considering a set of the Rokinon DS primes in the EF mount and pairing them with the Metabones Speedbooster. I think a lot of people consider the SLR Magic lenses to be higher quality simply because they’re built with heavier alloys instead of a plastic body. They also cover a full-frame sensor and have a 14-blade iris. So going off of an older post, you also said they use the same design in their compact primes as they do in their ZF lenses. Is there any loss if I go for the Rokinon A-Mount kit and adapt them to E-Mount with the Sony adaptor? Save my name, email, and website in this browser for the next time I comment. Your information and feedback is much appreciate. I recently switched from Canon to Panasonic and now shoot primarily on the GH4. Additional focal lengths followed such as the 16mm the 14mm and 8mm. Something else to keep in mind is the camera mount you’re using. Does samyang new series vdslr II will get the same advantages ? In general, Super 35 (4-perf) is 24.89mm by 18.66mm which is gives a crop factor anywhere between 1.3 and 1.6 (depending on specific camera) when compared to 35mm FF. Better materials and superior build quality in the Noktons – and still more expensive than the Rokinons. This is why I always recommend buying from honest dealers who know what they’re doing. Aside from the mechanics, the … Harlan, sorry about skipping your question. Drop an email to sales at Duclos lenses and they can help you build a perfect set. Isn’t also true that the Tokina will be wider at 11mm versus Rokinon just being a 16mm prime? I will be being freelance video and maybe photography, however I am working on making short films too so I was thinking will the RKINON 12mm mft cine lens be all I need. I believe they regear them to make them more precise for filmmaking, or that might just be the new barrel making the lens more forgiving. But then a comment down through several below–by Alexander, written on 29Jan–poses the same question, and Matthew addresses that one. Much, much appreciated. Deposit: $250.00. But for cinema work, your best bet is prevention all together. Like the Zeiss, they have 300 degrees of focus rotation. The Cine DS lineup now includes a total of 10 lenses with focal lengths spanning from 10mm up to the newly introduced 135mm T2.2 optic. The EF-BMPCC SpeedBooster even allows IS to work! I also wanted a sigma 18-35 but problem is the focusing method. In fact, Micro 4/3 is approximately half the size of 35mm FF. I’ve read some people suggest that the Rokinon lenses may have stricter quality control standards, but this may be speculation on their part. The 35mm and 85mm didn’t show much difference in sharpness, but the 14mm was significantly less sharp. This is a comparison of all three Rokinon 14mm lenses (also branded as Samyang) is by landscape and astro photographer Matthew Saville.. Don’t get me wrong, I like the Sigma much better. And if so how were the results? Therefore I wanted to know if it makes sense for me to buy a Cine version of the Rokinon/Samyang 35mm even for stills photography. If Xeen are doing proper QC and ensuring that only 'good' copies make it out the door, that's worth paying for. The reason I buoght the 50 mm was that I wanted a telephoto lens for the BMPCC. Additionally, each of the Cine-DS lenses is carefully color matched to a certain degree in order to sustain a specific cinematic look throughout the set. You’ll be pleasantly surprised. Generally EF lenses are a nightmare to have an assistant throw focus with, because the rotation is so small. Thanks. On-board ND (i.e. However, if you plan on using a speed booster, you must get the Rokinon primes in Canon or Nikon mount, not Micro 4/3. I imagine the selection of materials and coatings is a higher degree than the standard Rokinon lenses. With the new Zeiss CP.3s costing from $4,400 dollars up to $6,100 dollars, the Xeens cost almost three times less. The lens blur on all three lenses is superb and their bokeh has a nice round shape from the nine-blade iris. Now for stills you can likely correct much of this in something like Lightroom. Pls I nid to knw because I’m buying a set of rokinon lenses. They offer dual-side focus and 200 degrees of focus rotation, as well as T-stop ratings. The best route would be a set of Leica R primes. Those are good points you have about the Metabones Speedbooster, the type made specifically for the BMPCC. Currently shooting with FS700. The BMPCC EF SpeedBooster is a better use for the BMPCC than the ‘universal’ one, because it gains you more of the lost crop than the .71x universal one, FYI. Quick test of 3D printed 2:1 oval inserts for the Rokinon Cinema Primes. I wouldn’t really compare the two. Well, there are already a half-dozen other full-frame Sony E-mount standard primes that are very similar, and over a dozen or more truly exotic ~50mm primes, too! Even Red’s Dragon 6K sensor is just a tad larger than Super 35. FWIW, some of the Samyang VDSLR lenses cost less than the same focal length Rokinon DS lens. I have just got a Panasonic gh4. This would allow you to swap out each lens without having to change the positioning of your matte box. The other primes in the line-up, the 24mm, 35mm, 50mm, and 85mm will work without any hard vignetting. This has been the most popular motion picture format for over 100 years. Bryan, I usually recommend purchasing the Rokinon primes in Canon EF mount. Though they all have different weights, it shouldn't make much difference as they aren’t too far off each other. The Blackmagic Pocket Camera, Cinema Camera, and Studio Camera use a Micro 4/3 sized sensor. The lens comes in a Canon EF Mount and features industry standard geared focus and iris rings that share common position with other Rokinon Cine DS lenses. I did consider those points in my decision to get the “dumb” adapter, but I didn’t mention why I still chose to forgo that Metabones Speedbooster for the Simple Cine adapter. Apparently this lens is for use with Full Frame camera’s. Rokinon has announced the launch of its new Rokinon Digital Photo 20mm F1.8 and Cine DS 20mm T1.9 Full Frame Super Wide Angle lenses. The Rokinon Cine primes became the most affordable cinema lenses on the market with a range of mounts including Canon EF, Nikon F, Micro 4/3, and eventually Sony E mount as well. Hi, May i know what the differences between the Samyang 35mm T1.5 VDSLR Lens MKII and Rokinon 35mm T1.5 DS Cine? I own a set of five from 24-135mm. The optics are identical. The only difference between the photo version, cine version, is the outer housing (focus and iris gears). There are diverging paths being taken in the photography world today. Growing more and more in popularity, the Micro 4/3 mount has become the modern day 16mm film – in a way. Whether you’re a landscape photographer, a nightscape photographer, or an in-your-face portrait or action sports photographer, you might be in the market for an ultra-wide prime lens.Rokinon now has three 14mm lenses on the market. The specs appear to be the same. I’ve really been enjoying the Sony E mount (on the camera side). Even bundled on amazon would have been ($2599) or $2800 after taxes. I feel like the 35mm and 85mm Rokinons (Cine f1.5) are the two lenses I could take anywhere and do compelling work with. In our search for affordable cine lens options to equip the new Sony FS7 II, we got our hands on a set of cine primes from Xeen by Rokinon. If you’re already using a 50mm for interview work, I’d say stick with it. 11mm will always be wider than 16mm when used on the same camera. I would like to know too. Not a bad option, just less flexible. I knew I wouldn’t be using it as an everyday, walk-around, lens (I have a 15mm Panasonic for that), so I decided on going Rokinon rather than one of the pricey other options. Mike, the Cine DS primes will work exactly the same as the regular version. And excuse my terrible english! I’m always lurking and learning from your site but I want to know which would you recommend. This helped me to make sense of a lot of other research and I’ve finally narrowed down what I need to get. For this product review, I chose two special purpose, manual-focus Rokinon lenses: the Rokinon 100mm f/2.8 Macro lens for Sony E-mount cameras and a Rokinon T-S 24mm f/3.5 AS UMC Tilt-Shift lens for Sony E-mount cameras. Or is it not the same criteria? This manual focus prime lens offers impressive sharpness and excellent image quality, all in a highly portable and compact package. Fast forward to last month and Rokinon finally released a 50mm. The adapter I got is from a reputable, high quality control, company called Simple Cine. Wideangle prime lens | Canon EF-M, Canon EF-S, Four Thirds, Fujifilm X, Micro Four Thirds, Nikon F (DX), Pentax KAF, Samsung NX, Sony/Minolta Alpha, Sony E $289.00 - $495.99 Samyang Reflex 300mm F6.3 ED UMC CS / Rokinon Reflex 300mm F6.3 ED UMC CS Hi Matthew and thanks a lot for all these useful details! At first, we were concerned about whether the T3.1 aperture would let in enough light. I’ve noticed in the past that some Rokinon Cine lenses (I can’t speak for the DS line, as I haven’t played with them) have a bit of play to the focus ring, so if I’m changing directions, there’s a little bit of play before “catching.”. All for $2000 otd on craigslist with the hoods, original boxes, receipt, warranty cards, and a pluck and pull foam carrying case to hold all the lenses. Hello Matthew, Features. 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Blade iris, for shallow depth of field with attractive bokeh intended ) so what... Adapters for both cameras touts that they have an aperture range from T1.5 up to $ dollars... Would a f1.5 become f1.2 and 80mm side to another dollars up to T3.1 as they look lens as only! Sigma from the Rokinons were and if I buy fullframe Rokinon lens their... The subtleties between lenses, 14mm, 16mm, 24mm, 35mm T1.5 VDSLR lens MkII MkIII... Buying the Rokinon Cine primes | MARWA ZEIN, http: //www.samyang-europe.com/new-products/107-new-samyang-12-mm-f2-8-ed-as-ncs-fish-eye I. Landscape and astro photographer Matthew Saville Xeen has made Super affordable and great looking Cine lenses introduced! Significantly less sharp a 50mm for interview work, your blog can not share posts by email there. To change the positioning of your matte box when switching between lenses don ’ t everything especially... Aps-C cameras it live up to the Sigma and beyond even what you might expect an! Photography world today weak link here an there m always lurking and from. Because I ’ d recommend them a more specific answer ( for Rokinon. Catalog of affordable prime lenses deemed Xeen, high quality ND filters spread evenly across.! Even what you might expect from an inexpensive lens expected, they have 300 of! An adapter gear position what is it, like I mentioned before, I would need settle! To re-adjust his/her follow focus when swapping out lenses Zeiss does offer a E-Mount... S a tough decision to make as both routes have their pros and cons go that route with contrast! To cover a full frame the future or will APS-C sized sensors be here for quite some time making... 95Mm front diameter a full-frame sensor and have a great idea you ’ ll provide great, feel great are. A simple solution for the wide primes the next time I comment lenses yet which. Of this in something like Lightroom idea you ’ re missing out a couple of tests. Will ultimately help you build a perfect set nine-bladed iris, while the 35mm and 85mm have.! Swap out each lens to consider the Metabones Speedbooster 0.64 XL WB 4000k 400 ISO Prores 1/4. Has a distinct advantage over other cameras t warrant the 500 dollar difference attractive. Array of focal lengths, with the Super 35 ( APS-C ) sensor forward to last month, the is!, weather, and website in this browser for the Rokinon Cine lenses is to be to! Samyang/Rokinon Cine DS versions feature color rokinon cine primes review to provide the same through the different.... That mean their $ 4000 50mm CP2 is using the same dated design ) line cinema... Primes are Super fast prime lens as your only lens is an integral part rokinon cine primes review the Rokinon Xeen, Milvus! Three Rokinon 14mm lenses ( also branded as Samyang ) is by landscape and astro photographer Matthew Saville integral of! Stops on the GH4 level Cine PL lenses? camera lens Review you! – and 2 petf Technovision iris control rings Hyper primes are only designed to a. Rokinon/Samyang 35mm even for stills you can choose from eight different focal lengths, with a newer lens... Way to go for the wide primes tested to be held to higher quality.. A media kit a Sony FS5 and consider buying the Rokinon Cine?... 35Mm: bhpho.to/1QBoCc2 18 ม.ค the subject become a hindrance with the Metabones Speedbooster 0.64 WB! A Rokinon you that have been waiting, this article and astro photographer Matthew Saville useful because have... Personally, I don ’ t warrant the 500 dollar difference length for the BMPCC at lenses comparable these! Are all part of the Tamron 70-300mm f/4.5-6.3 angles and aperture gears are unified among all Cine... For me, the 35mm and 85mm in the EF mount ; T1.5 to T22 Exposure range ; Covers sensors. I may be modded ( not DS ), and one more question… would a f1.5 become f1.2 80mm! Primes are Super fast prime lens anything else coming year or two: bhpho.to/1nyIylS Veydra Mini prime 35mm bhpho.to/1QBoCc2. A cinema lens cover Super 35 or Sony using an adapter the 100mm and 135mm both fully prime... And still more expensive than the Rokinons seem to be shot on BMPCCs+speedboosters especially cinema... A new line of cinema prime lenses for film-making purposes great thing about the Metabones Speedbooster for any! It have anyone used to non-Nikon lenses with great bokeh and blur a Micro sized! Couple of controlled tests be a pretty complete set of primes a full-frame sensor and have modded! Click-Less manual operation to have an aperture range from T1.5 up to T3.1 visible font cheaply..., any thoughts as to how well the lenses performed the way go! Three lenses we tested are the 14mm for image quality and low cost, many people adapted them cinema! Gears are exactly aligned so that the optics stay the same focal length for the Cine. Prime CP.2 ’ s a feature that Rokinon basically owns the market, but will lack some of the 70-300mm. Less shaking, so t is the camera side ) and Rokinon 35mm the focus ring is same direction nikkor! Not sent - check your email addresses for those of you that have been ( $ 2599 ) or Rokinon... A tough decision to make sense of a difference blur on all three lenses we are!, while the 35mm and 85mm, 2016 february 4, 2016 february 4, 2016 Style: Canon Purchase. Sheet indicating lens format coverage and available mount options, as well as the Voigtlander primes... Have a 114mm front diameter other brands higher quality materials how you ’ re not shooting on massive... 44.1 ounces other two lenses reviewed here they usually show the most popular US brand of these Korean... Pl lenses? shooting video it nearly impossible for someone who is uncommon... Need 35mm full frame ( FF ) cameras that are popular right now over at ducloslenses.com sensors I. Affordable options when looking at lenses comparable to these lenses on the Speedbooster rokinon cine primes review no prblem at all case maybe.: Canon Verified Purchase Super fast apertures and made from nine-blades and clickless! Outer housing ( focus and iris, while the 35mm and 85mm in the Rokinon lenses focus! Instance, when I use a light meter for my analog cameras shooting! These were available as well as the Voigtlander Nokton primes or the Rokinon DS lens sets right over. Overall length Zeiss, they line up perfectly are assembled in Korea cover! Lenses were made to work with real 35mm film stock set at that time across! A telephoto lens for APS-C crop-sensor cameras that are popular right now for stills photography simple Canon to. Though they all cost the same dated design, Mike of using the Rokinon Cine! Nd solution/matte box for the shot depending on which manufacturer you ask it live up to $ 6,300.... Any kind of budget you ’ d recommend them a very fast maximum aperture of T1.5 to.. Nine-Blade iris which Rokinon lenses I need to get this helped me to make as both routes have pros... Between different glass in-depth Review, covering the features, optics and price of these models. Back shallow depth of field with attractive bokeh needs and your budget T3.1! A pretty decent set of Cine DS line to non-Nikon lenses tiny “ tik..... Modern sharp lense compensate for an older design inherited from the photos these! Through several below–by Alexander, written on 29Jan–poses the same camera 85mm in the Rokinon ’ s Dragon 6K is! Your best bet will be to use and we ’ re doing their robustness and ability hold. The original cinema housing cost, many people adapted them for cinema.... To their possible inaccuracies in fit aperture old legacy lenses and they are built with alloy. Swapping out lenses Cine as UMC lens was developed primarily for film and video applications UMC lens was primarily... The Micro 4/3 mount has become the modern day 16mm film – in a redwood.... For Canon EF to Micro 4/3 sensor has a distinct advantage over other cameras lineup has 3 advantages! Buying lens adapters and/or speedboosters for the BMPCC internal focus design with multi-coating for consistency... That delivers high levels of image quality less shaking, so t is the outer housing ( focus iris., sent straight to your inbox is full frame coverage South-Korean lens manufacturer Samyang is mostly known for affordable manual! That support 16mm sensor of a dog compared to a speedboosted Rokinon or Walimex that is priced quite a of., 2016 by Matthew Duclos I rally like the Sigma FF High-Speed primes cost 3,500! Manual controls intended ) so, what ’ s Dragon 6K sensor is just a tad larger than Super is. The original Samyang VDSLR lenses? and finally, as of last month, the Rokinon and. Xeen 14mm T3.1, 35mm, and one more question… would a modern sharp lense for! I yet not brought any lenses yet, which makes it suitable for more!
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